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Experimenting with PanPastels
Barbara Strembicki Unlike Jess, I had read a little about the PanPastels before we began experimenting. I'd watched a couple of the videos and had some idea what they were about and what I wanted to try. I too found them soft and wonderful to work with and in addition to the tools, I also discovered that I liked to use a finger to smudge the colors around. The first time we played with them Jess and I were together in my studio. That session was followed by an afternoon that I spent alone messing some more. One of the things I liked - a lot - is that the PanPastels can be worked till you fix them. Of course you can work them to death and make mud too, if you're not careful! The first thing I made was a painted sheet of watercolor paper with circles drawn that I filled with varying colors that Jess dubbed "planets"...
You can't really see it unless you look at a hard angle, but I smudged titanium white all around the edges of this tag using a flat sponge bar.
Then I loaded the sponge bar with a very small amount of turquoise and began
to blend it in with the white and over the rest of the tag Till it looked like this. I knew that I wanted to use this image from our Joggles Figures in Marble
collage sheet, but also knew the tag needed more than just the background color.
So I stamped a background image on the tag using Timber Brown StazOn ink.
Better, but still not quite what I had in mind. I looked around and discovered some cheesecloth and decided it work be a nice
top layer. I tried adding some of the turquoise directly to the
cheesecloth but found that it was a bit stark. Then I got the bright idea
of rubbing the cheesecloth into the Titanium white so that it would soften the
turquoise. Part of the advantage of the PanPastels is that they're
virtually dust free. One of the videos tells you to swipe a tool 1 to 3
times across the surface of the pastel to load it. Anything more than that
overloads the tool and causes dust to form on the surface of the PanPastel cake.
I'll be the first to tell you that wiping cheesecloth across the cake also makes
a lot of dust. Admittedly, it was messy, but I did get the effect I was
trying for. along with some messy fingers.. I used some The Ultimate glue and stuck the cheesecloth down to the tag and
then glued the image over the top. I like it; but it still felt
unfinished. I poked around the studio and found some silk ribbon and some
beads and finally ended up with this... I can hear you wondering about how I got those circles so perfectly round...
templates! I used the giant circle template on the larger watercolor paper
piece and the small circle one on this book. Like with the tag, the
circles were filled in using the apply color and smudge with the tool technique.
I used my fingers here too as I enjoy getting into the stuff. It wipes
right off and I like the effects I can get using them. Here are a number
of photos showing the progression of the cover circles...
... to the finished product. This is a nice simple page... smudge color over the page to create the
background, cut out images from a collage sheet and glue in place. Done! I discovered that you can "colorize" a black and white image which I did here
by adding color to her face. This is from one of Carol Murphy's Altered By
Design Collage sheets called Beautiful in Black & White, I used one of the
round tools and adding a tiny, tiny bit of color at a time. I began by
giving her an even coat and then added shadows with a darker version of the
color. The shadowing on the image will help you decide where the deeper
color should go. Once that was done I sprayed her with the workable
fixative to make sure I didn't make a mess as I handled the image. When
that was dry (spray outdoors - the stuff smells pretty strongly) I cut the image
out. glued it to the page that I'd used PanPastel to make the background a pale
grey. Once she was secured to the page I used the square tool to add the
deeper grey color all around the image. Here some two colors were smudged over the page to create the magenta and
purple background then I stamped the image with Palette Hybrid ink. The words
were written with a Micron pigma pen. This tag is from the 7 Gypsies "Gypsy" 17816 tag set. I smudged color around the edges, added the image and then smudged color around it to set it off from the background. In all cases you'll need to seal the PanPastels to stop them from rubbing off
the surface. You can use Krylon's Workable Fixative while you're in the
creating stages which allows you to go fix the pastels, but also allows you to
go back over them to add if you wish. A final spray of a clear finish such
as Krylon Crystal Clear, Matte, or Satin Finish sprays will do the trick. You can use PanPastels on fabric, too. I was able to do just a little and ran out of time. Spraying with Workable Fixative will keep the color from smudging and rubbing off. You can't wash fabric that you've painted on however. The Workable Fixative will not protect the color. One thing that we discovered is that they're very economical; a little on a tool goes a long way which means you're likely to only ever buy one of a color unless you use it, use it, and use it endlessly. S U P P L I E S Click here to go back to the Multimedia gallery or here to see Jessica's experiments. |
Questions? Comments? Please email
barbara@joggles.com
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