A Primer on Gels, Mediums & Pastes
by Jessica Rich & Barbara Strembicki
Text used with permission, courtesy of Golden
Artist Colors, Inc.
To the uninitiated, the world of gels, pastes, and mediums is daunting.
There are products that thicken, thin, adhere, prime, finish and texturize.
So where is an artist to start? A general understanding of the properties
of various products will help you choose the right product for every endeavor.
Golden Artist Colors, Inc. has been gracious in allowing us to use their images
and text to help you have a better understanding.
Gels vs. Pastes
Even though acrylic colors are offered in various
different consistencies and finishes, the use of gels and molding pastes in
conjunction with such colors will broaden the working properties and expand on
the possible results.
Gels can be thought of as colorless paints, as they are
composed of similar polymers as are the acrylic paints. They may be considered
the "glue" or binder that dry to form continuous, durable films. They are made
of 100% acrylic polymers which have proven to have excellent flexibility and
chemical, water and ultraviolet radiation resistance.
Pastes contain Marble Dust or Diatomatious Earth, clays or
other fillers resulting in a white or clay-tone finish. Different pastes have
been formulated to contain specific properties.
What Gels and Pastes Do
While Golden offers a wide selection of gels and pastes, that is not to say
that each one has limited uses. Because of their very nature, most gels and
pastes can function in a variety of ways, yielding numerous results. The section
that follows lists the most traditional use of such products, but by no means is
it intended to be an all encompassing and exhaustive list. There are numerous
ways in which these products can be successfully applied.
Extending Paint...
One of the primary roles of gels and pastes is to extend the product for
economical reasons. One can actually create "student grade" paint by adding a
gel or pastes into your existing paints. For this purpose, there are basically
no limitations as to minimum or maximum levels of gels or pastes that can be
safely (from an archival viewpoint) added into the paint system.
Controlling transparency...
For purposes of controlling transparency of paints, adding gels and/or mediums
offers a useful tool. Nearly all gels and paste are effective for this purpose,
with the exception of those that are opaque (the Pumices and Molding Pastes).
The Gloss Gels are most effective, especially when highly transparent glazes are
desired, and the glazes are to be applied thickly (greater than 1/8 inch wet
film thickness). The Matte and Semi-Gloss products will increase the
translucency of the paint, but will not yield genuinely transparent glazes. This
is the result of the matting agents in such products, detracting from the
overall transparency. One additional point to make is that the milky acrylic
emulsion eventually dries translucent, and this must be kept in mind when
determining the amount of color to add to gels and pastes.
When the desired outcome is to extend the paint without increasing transparency,
then the addition of Molding Paste is beneficial. Since pastes are made of
various solids they will increase the opacity of the paint. While there are some
products available that are marketed specifically to increase opacity of paints,
Golden Molding Pastes work well for this purpose. It must be understood that the
addition of such products will result in a color shift to a lower chroma (and
possibly lighter value) color.
Alter the consistency of paint...
Another frequent use of the gels and pastes is to alter the consistency or body
of the acrylic paints. When one needs Golden Heavy Body or Matte Acrylics to be
thinner or flow better, the addition of nearly any one of the Mediums or the
Soft Gels will prove helpful. When additional body is required in the Heavy Body
and/or Matte Acrylics, the Heavy Gels, Extra-Heavy Gels or High Solid Gels may
be added. The gels and pastes can be used with any other acrylic paint line,
such as Golden Fluid Acrylics, for similar purposes.
The gels are offered in a variety of reflectances, including Matte, Semi-Gloss,
and Gloss. This allows the artist freedom in creating the desired sheen in the
artwork, by blending the appropriate gel with the paints. The typical higher
gloss of Golden Heavy Body or Fluid Acrylics can be reduced by adding any of the
matte gels or pastes. Similarly, to increase to gloss of Golden Matte or High
Load Acrylics, the addition of a gloss gel or medium will prove effective. More
subtle modifications can be created using the semi-gloss products, or a
combination of a matte and gloss gel or medium.
Build relief...
A common use of the thicker gels or pastes is to build relief, or
3-dimensionality, onto the support. For this, Golden Heavy Gels, Extra-Heavy
Gels, High Solid Gels and Molding Pastes are valuable tools. The Light Molding
Paste holds the highest peaks and structure, and is also the best choice when
building very thick applications (because of less weight buildup). Golden Pumice
Gels are suitable when generating granular or pebbled surfaces (either
3-dimensional or flat).
The majority of gels and mediums are nearly pure binder; they can be utilized to
increase the dry film integrity of weakened systems. When an excessive amount of
dry pigment or extender has been added into a paint (typically observed as
cracking or chalky quality in the dry paint film), the addition of a gel or
medium can correct the problem. Another weakened paint system is a paint/water
blend, in which there is more water than paint. If such a mixture is to be
applied on non-absorbent supports (i.e. in non-stain applications), then a gel
or medium should be added so that no more than half of the entire mixture is
water. Note that Gloss products work best for these sort of requirements.
Make your own paint...
When making one's own paint from dry pigment, the various Gloss, Semi-Gloss and
Matte gels or mediums serve well as the binder that forms a continuous film,
encasing the pigment. The Gloss products have the greatest binding capabilities,
while that of the Matte and Semi-Gloss products is somewhat reduced (the result
of already containing the matting agents responsible for the lower sheen).
Another frequent use of such products is as a glue for collaging materials
together. This technique is valuable when collaging any materials to which the
water-based acrylics have no difficulty bonding. Certain materials, such as
glass and certain metals and plastics, should be avoided. Because of their
greater binding capabilities, the Gloss products are the preferred choices for
gluing collaging materials; however the other sheens function at satisfactory
levels. Generally, we recommend the Soft Gel Gloss for collaging.
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on to the next page where you can read more specifics about the various Golden
gels and pastes. Click
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about Golden mediums.
We carry a large number of Golden gels, pastes, and mediums. Click
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